1. Adding Texture in Photoshop Without Affecting Colour.

    Since Zac Gorman asked,

    1) Scan your paper or other piece of whatever you intend to use as “texture”.

    2) Adjust levels etc. as necessary. Get it looking nice and even (assuming this is the effect you want).

    3) Run the “High Pass” Photoshop Filter on that flattened image. Find it under FILTER > OTHER > HIGH PASS

    3b) Tweak High Pass parameters as necessary. Get it just right and you win a stuffed Finn from Adventure Time.

    4) Layer that High-Passed image above the layers you want to affect.

    5) Set that layer’s Blend Mode to “Overlay”.

    Voila. Hopefully the High Pass filter sucked out the essence of the texture you want to use. (If not, figure out another way.) Since the High Pass-ed image is mostly 50% grey, setting it to “Overlay” doesn’t mess with your image’s colour too much because I guess that’s how Overlay works. Shrug?

  2. The Importance of Being Important

    A friend recently asked this question on Facebook:

    Creative types: How honest are we being with ourselves when we say that we do what we do for the love of art/music/film, or simply because “we have to” and don’t know how to do anything else. Are we just saying what we think others expect to hear? How much does the fantasy of one day achieving fame, glory and a decent living play into it?

    It reminded me of the foreword to my current favourite-book-to-recommend-to-people, The Art of Dramatic Writing by Lajos Egri. It’s a better book about writing than most of the others I’ve read, in part because I liked and could relate to the honesty of the foreword. It’s applicable to all forms of creativity or craftsmanship, too. Not just writing. I copied out most of it and put it behind the cut!

    Read More

  3. I like Noelle Stevenson’s Nimona comic, so I drew some of that!

    I like Noelle Stevenson’s Nimona comic, so I drew some of that!

  4. The Moral of the Story - Tapestry on CBC Radio

    What with the impending US elections and, more personally, a current challenge in constructing motivation for a villainous character, this radio programme on the topic of moral certainty was pretty interesting. What are you doing right now? Cleaning the house? Oh, just throw it on and give it a listen.

    Certainty in general is something I have a hard time with, never mind moral certainty. That’s why the exaggerated red-vs-blue back-and-forth going on in the leadup to the US elections is so mind-boggling. It seems as though everyone’s so set in their beliefs, and that instead of becoming more moderate or open-minded, the general trend is toward investing more heavily and indiscriminately in each side’s modes of thinking. This has scary implications, as I’m sure you can imagine.

    On the other hand, it’s pretty useful. The opposite end of the spectrum is the infinite gray areas of total indecision and unlimited potential. Again, I’m suspicious of certainty, and this sometimes (okay, often) manifests in a crippling inability to make decisions. You should seeeee all my Photoshop layers and versioned files.

    Indecision also makes it hard to write strong characters. It leads to weak writing in general, I find. A lot of discipline is required to ensure that each character is not capable or interested in the complete range of human beliefs and motivations, and I still don’t think I’m very good at it.

    Most recently, I’ve been trying to create a really vile, reprehensible villain. Initially, it was hard to make him do the reprehensible things I want him to do. A lot of the time, the roadblock to allowing him to make certain choices was, “no right-thinking person would do that.” This is laziness on my part. When I considered of one of my character’s motivations, I let my own morals decide that this character couldn’t possibly justify that. That’s not just lazy, that’s uncreative. The character should have his own morals.

    The real fun began – and the character started to become really enjoyable - when I forced myself to come up with reasons for him to justify his heinous motivations. It was tough at first, but got easier as I went along. That’s why this podcast resonated with me - I was having to develop the habit of considering why someone else could justify an action that I personally would find unjustifiable - and the podcast spends a good amount of time discussing how moral manipulations allowed historical atrocities to be committed. I’ve read that a strong villain has strong convictions, and this podcast helped me understand how convictions I would consider “wrong” can and have been developed. I found a lot of interesting food for thought in there.

    If you’re a creative type, I recommend giving it a listen. It’s not much fun, per se, but it’s useful. Being able to consider the full range of moral investment is a good bit of mental gymnastics and an invaluable addition to your toolkit.

    If you’re NOT a creative type, hey, maybe it’ll help you understand your fellow voters a bit better, even if they do seem to be villains.

  5. Hey, it’s a drawing I did of Conan & Belit from a while back! Fans will notice there’s no small amount of Becky Cloonan’s influence in there (do you have a copy of Wolves? Of The Mire?). I like the composition on this, though those chins sure ended up big. Oh well. CHIN UP.

    Hey, it’s a drawing I did of Conan & Belit from a while back! Fans will notice there’s no small amount of Becky Cloonan’s influence in there (do you have a copy of Wolves? Of The Mire?). I like the composition on this, though those chins sure ended up big. Oh well. CHIN UP.

  6. I’ve spent my entire career obsessively trying to “learn how to draw” when I should’ve just been drawing. Always thinking “I just need to get a little better… and then I’ll start working on (insert any of a hundred personal projects)”

    The fact is that i’ve been good enough since my teens- and would’ve improved so much more rapidly had my study been in the service of any of those projects- and not in the dozens of sketchbooks pilled in my closet.

    Lesson: Don’t use “learning” as an excuse to avoid “doing”.

    — 

    -Shane Glines
    Link (via faitherinhicks)

    YEP.

  7. scottlava:

“Givin’ Out Zaps”
my piece for the…

Tokusatsu: Japanese Science Fiction Art Show


 @ Q Pop Gallery in Los Angeles 
This Saturday 7pm!

This is so great. Not only is it adorable, but the design and composition just slay me. YOU WIN AGAIN, SCOTTC.

    scottlava:

    “Givin’ Out Zaps”

    my piece for the…

    This Saturday 7pm!

    This is so great. Not only is it adorable, but the design and composition just slay me. YOU WIN AGAIN, SCOTTC.

  8. Photoshop and Dual Monitors: a Great Tip!

    Seems like a lot of people I know run a Cintiq off an iMac. I’m lucky enough to have such a setup. The problem? When painting on the Cintiq, I had been wasting all that real estate on the iMac. It would be full of iTunes and Firefox and Adium and a bunch of other horrible distractions.

    NOT ANYMORE.

    I caught friend and co-worker Shyh Chai using the following trick, and it’s gonna change my dual-monitor habits for the better. FOREVER.

    I’m talking about Photoshop’s “New Window for…” feature. Perhaps you’ve heard of it? If not, this is what it does: you open up a document. In the “Window” menu, under “Arrange”, you’ll find an item called “New Window for [DocumentName]”. Click that, and Photoshop makes a new, second window that shows the same document as the one you have open. You can work on either and see the results in both windows.

    What I do now is drag one window to each monitor and full-screen them both. On my Cintiq, I can dig down and noodle about and paint and draw. I leave the full, zoomed-out view on the second monitor. Not only do I get to easily view the entire canvas (very handy for keeping things in perspective), but it blocks out my browser and other apps and my distracting Christina Hendricks desktop pictures.

    VICTORY. CHALK ONE UP FOR PRODUCTIVITY.

  9. CBR Interview →

    I did an interview with Alex Dueben for CBR! Want to know more about DD, the process, and upcoming stuff? Head on through!